Panama (1978)

Her video installations and audiovisual essays explore the boundaries between the analog and the digital, as well as the meanings and placements of the contemporary, the historical, the old, and the new. She addresses, mostly in an autobiographical way, questions of cultural belonging, longing, ancestry, exile, and memory. Using different process-oriented techniques, she moderates a dialogue between media, time, and stories. Her work is a mix of technologies and formats that bring glitch, color, and image overlay to her own style of observational documentation. While working with archival material, old photographs, and analog video synthesizers she conducts her own research as a "found footage recycler". 

Work